“Wuthering Heights” Adaptation Shocks Audiences with Unprecedented Adult Scene—You Won’t Believe What Happens Next!
So, casting directors getting death threats over a classic novel adaptation—is this the new normal or just the latest drama storm brewing in Hollywood’s tea cup? Kharmel Cochrane, the casting wizard behind the controversial new take on Wuthering Heights, apparently ruffled a few feathers—scratch that—a whole flock of angry fans, who aren’t shy about saying she “should be shot.” Yep, it’s that spicy. This ain’t your grandma’s Brontë, either. Producer Emerald Fennell, famed for stirring the pot with her 2023 feature Saltburn, has gone all-in with explicit scenes and shock tactics, twisting the beloved story into something “provocative” and downright unromantic. Critics saw a sneak preview in Dallas and reacted with visible discomfort—talk about a film that doesn’t play nice. So the burning question is, is this bold, edgy reboot a breath of fresh West Yorkshire wind or just a costly flop disguised as artistry? Buckle up, because it’s about to get messy.
Fans are calling for casting director, Kharmel Cochrane to be “shot” after a test viewing of the latest adaptation of the 1847 classic Wuthering Heights.
The menacing behavior is part of a general pattern of dissent surrounding English producer Emerald Fennell’s foray into old literature after her 2023 dark comedy, Saltburn—which is known for its adult themes.
- Preview viewers call the film “provocative” and “deliberately unromantic.”
- Casting director Kharmel Cochrane baulks at threats from upset fans.
- Emerald Fennell’s adaptation features explicit scenes and shock-value set pieces.
According to those who saw its preview in Dallas on August 4, Fennell’s proclivity for X-rated content has spilled over into the new production.
People who have seen the sneak preview have slammed the film for being “tonally abrasive”
Image credits: Plex
World of Reel, a platform covering the film industry, reported that the audience displayed a “visible restlessness” during the viewing.
It quoted a critic describing it (the film) as “aggressively provocative and tonally abrasive,” claiming that it leans “hard into Fennell’s now-familiar brand of stylized depravity.”
“It’s a deliberately unromantic take on (Emily) Brontë’s novel,” the critic complained, “of emotional nuance and full of salacious detours that serve shock value.
Image credits: Samir Hussein/Getty
“[It is] far more explicit than any previous adaptation of this material,” they said of the film that allegedly starts “with a public hanging,” and “quickly descends into grotesque absurdity.”
Fans threatened the producer for casting Margot Robbie in the film
Image credits: Brendon Thorne/Getty
She told the United Kingdom’s Metro news outlet that she had received a volley of harassment for casting Robbie and Elordi.
“I have really had to hold back on Instagram after a glass of wine, because I think someone was like, ‘The casting director should be shot’,” she told the publication.
Kharmel Cochrane suggested that fans wait until they watched the movie, and then could say “whatever they wanted”
Margot Robbie on set of Wuthering Heights (dir. Emerald Fennell) which will come out in February 2026.
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Posted by The Church of Cinema on Sunday, March 23, 2025
She suggested that the book’s fans were likely to be even more disgruntled when they actually saw the film.
“Wait until you see the set design, because it’s even more shocking,” she claimed. “And there may or may not be a dog collar in it,” she teased.
Image credits: Prime Video
“You can read anything into a book and make it your interpretation.
“And it’s really easy to sit online and say things, but just wait until you’ve watched it, and then you can say – maybe not that I deserve to be shot – but you can say what you want!’” Cochrane suggested.
Fundis in the industry are suggesting that this is just the reaction that Fennell was aiming for
Image credits: Oscilloscope Pictures
The World of Reel critique observes that the screenplay steps away from the original plot in a manner that is typical of Fennell.
It further observed that the film sounded like the “most unusual Wuthering Heights to date,” which “might not be a bad thing.”
“The last thing anyone wants is another by-the-numbers adaptation.